= 1.0 250 300 350 400 450 500 550 600 650 700 750-2.0-1.0 0.0 1.0 2.0 Yellow-Forming Layer Magenta- At first what I liked was the additional element of protection for the camera – against bumps and shocks, setting it down on a wet surface, etc.

If I can get two identical lenses I’ll probably give this side-by-side test another crack at the whip.This may be a quick article but order is everything, so here’s how it breaks down:I'm EM, founder, overlord and editor-in-chief here at EMULSIVE.org, as well as all-round benevolent gestalt entity. But the tinge you refer to is exactly the point I was making above. The photographic films and cameras used…Did/will someone process it with home kit like Tetenal E6? That line turned out to be a deeper cut than I had anticipated. It’s not a do-it-all film like Kodak Portra 400 or Fuji Pro 400H. What I noticed with Kodachrome in particular was a distinct difference between the really fresh films compared to those with much later use by dates.The ageing process allowed the emulsion to reach its optimal state, very necessary for professional studios and photographers who needed the most accurate, and repeatable, colour balance. I feel film photography embodies a must-needed break from the frantic times we’re living (at least pre-coronavirus-wise)….その特色的な仕上がりは、日中の風景・自然の撮影・商品撮影・ファッション撮影など、様々な用途に適しています。現像後はポジフィルムとなるため、すぐに閲覧することができます。Thank you for your continued patronage of KODAK products.I have always been fascinated with panorama photos. I do still think the “professional” tag comes with different implications today, but t’d be great to find out if the “Professional” tag is a holdover from the days when it did refer to the aging process. At last, larger format photographers have a "new" film to fawn over; a medium contrast, moderate saturation color …

I suppose Ektachrome overall strikes me as being a more interpretive than Provia. Ektachrome is a brand name owned by Kodak for a range of transparency, still, and motion picture films previously available in many formats, including 35 mm and sheet sizes to 11×14 inch size. !“Looking at Ektachrome’s colors is like looking at a well-preserved painting by Titian himself, which makes most color offerings look like dime-store Fauvism by comparison.” hahaha As an art teacher an art major in college I like this one. These shots are super fine, but we can still tell they’re made on 35mm film.E100 is all I want to shoot these days! The lower contrast values contribute to a wide dynamic range and a neutral tonal scale for greater color accuracy, and a low D-min helps to ensure brighter, whiter whites. The neighborhood labs that developed everyone’s film naturally abandoned the E-6 process as fast as demand would allow.We could end it there, but measuring Ektachrome by the yardstick of sheer technical achievement is a mistake. If I had to place it anywhere, I’d place it close to Kodak Ektar in that it’s a bit of a character piece, even though it features a better overall color rendition than that film.